Monday, January 31, 2005

Launder this! iPronto!

When I was about 11, I was on the boardwalk (as I was every summer), just strolling along (as I also did every summer). I was walking past one of those free-standing spinning wheel-type games planted in the middle of the boardwalk, the ones where you could “win” an oversized stuffed animal (whoever heard of a sherbet orange elephant?) that you spent the rest of your life trying to find a place for.

As was always the case with the boardwalk at Seaside Heights, it was windy. Someone about to plop down their hefty bet of $1 had the bill snatched from their hand by a good gust of wind. I saw this out of the corner of my eye and proceeded to chase that bill down for what seemed like a quarter of a mile. Now, I never had any intention of keeping that buck. Nope, I totally exhausted myself chasing it (it was not unlike trying to catch a chicken) just so I could return it to its rightful owner. And return it I did. I don’t even know if the person who lost it thanked me, and it didn’t matter.

Fast-forward 22 years. Last Friday, I decided to actually *gasp* step outside at lunch and stroll through Kendall Square. I’ve been cooped up in the office at lunch because it’s been either too windy and cold (the word “Cambridge” is from the Latin “maddening, relentless wind”), or because there’s so much damned snow, there’s no place to walk.

Staring at the ground as I walk, I saw a $5 bill at the base of a snow drift. Without even giving it a second thought, I snatched it up. I had a nanosecond of “woo hoo!” and then I went straight to “wait, am I doing something unscrupulous?” As I’m thinking this, I look to my right at the couple who were behind me and now walking past me. I can’t hear what they’re saying, but they’re looking right at me and muttering SOMEthing. It was as if they were in slow motion and their voices were way below normal pitch, scolding m with their eyes and creepy voices. In actuality, it played out like a really bad after-school special.

That’s right. I actually felt dirty.

Great. So now my face is all hot and I don’t even want the damned $5 because now I’m inventing scenarios behind how the $5 got to be on the ground. Perhaps a single mother, already running late, was running to catch the bus, dropped the $5, only to have to walk to her destination because that $5 was her bus fare. Or maybe it was her kid’s lunch money, which was also her last $5 because she doesn’t get paid until next week.

I need to get rid of this money, RIGHT NOW. But where? Jimmy Fund in some liquor store? Some weird little tin can of dubious origin on the drug store counter?

Then I got an email from my bro-in-law. His band was holding a benefit for the Tsunami victims. Excellent. The ill-gotten(?) five clams has gone to a good cause. Hopefully, I managed to duck the Karma IRS.

Thursday, January 20, 2005

Psssst...Hey Kid...

I’m here today to discuss the Art of the Big Sell. No, I’m not referring to the biggest sell of them all, today’s Jackass Inauguration.

No, I’m speaking of something a little less sinister. But barely.

I have a habit of constantly perusing the classifieds. I’m addicted to them, especially motorcycle or music gear classifieds. I dunno what it is. It’s not as if I could buy any of it. I think I just like to see what’s out there and witness the sheer hubris of what people actually think their stuff is worth. However, there’s a certain way to phrase an ad if you want to sell something, and there’s a shockingly large number of people who don’t get it. Observe:

1. The Trying WAY Too Hard Guy

Typically, the ad is in all capital letters and you’ll see a whole lot of exclamation points. It’s no different than having a cheesy used car salesman screaming at you. I won’t even cite an example because the mere sight that many capital letters together makes me see red.


2. I’ve Somehow Improved This Just By Owning It Guy

Simply, they tout the “Better than new!” line.

How is that possible? Oh that’s right, is ISN’T.


3. The Jon Lovitz Pathological Liar Guy

This doofus will try to pump up a particular item’s lineage:

“This beauty…” (ed note: a Korean knockoff of a Fender Strat, and a BAD knockoff at that) “….plays like a dream! My cousin/bookie/ex-brother-in-law/parole officer sold it to me he played in Bud Pud check em out there AWSUM!!!!!!!!!!!!! and he dosnt buy junk!!!!!! This guitar was made in the same factery as Fenders! So its pretty much made by the same loothear as Fenders!!!!!!!! Tone for days!!!!!!”

Mm hmm. That's the ticket. Those guys share a crossover trait with...


4. Run-on Sentence It Sounds Like I’m Quickly Typing This Ad From A Getaway Car Guy

“1979 les paul tobaccoburst no time to play it’s gotta go own a legend serious inquiries only no email call my cell…….”

Someone punctuate that guy, STAT! And that guy shares a crossover trait with the…


5. Yes I Know This Is The Classifieds and Everything Here is For Sale For A Reason But I’m More Desperate Than The Rest! Guy

“Must Sell! Has to go today! No really, today I DO mean it! Can’t keep it any longer! Hurry! Must sell! Must must MUST! Baby forces sale! Wife says I have too many toys!"

These almost always end with “my loss is your gain”. Man, whoever came up with that should have a pack of starved wolverines loosed on them. Seriously.


6. Thinks He's Really Got Something Guy

"Ibanez SDGR100 bass. Missing string, has some nicks, couple cigarette burns (barely noticeable), cat peed in pickups. Plays great! $400. Won't last!"

Won't last indeed.


7. Super-Cryptic I Don’t Have Time For Actual Value Guy

“1987 Suzuki GS500E. DEAD MINT. Make offer”

Okay. I’ll give you $1.49 and not a penny more, you silly little bastard. These are classifieds, NOT Ebay.

Then there’s my favorite, the…


8. Museum Guy

“1962 Fender Precision Bass. Bought as a leftover in 1985. Never been played. Original hang tags, in its hard shell case which has never been opened. Actually, it’s never been touched. It’s in an air lock on one of Saturn’s moons right now. Must see to believe. Will trade for interesting porn. No dreamers.”


So spake a Mr. Jerry Seinfeld: "Like monkeys throwing shit".

Toodles.

Monday, January 17, 2005

Who Who in the What What?

I spent Sunday and Monday recording my bass tracks at home for the new Rogues album. Since I dwell in a condo, I don’t have the luxury of tracking the bass by miking my 8x8 cabinet and diming it. No, I have to employ the Oh-So-Rock-&-Roll Method of taking a line out of the head, running it into the board direct, and listening through headphones. Ah well. My Les Paul sounds great direct, so no big deal.

Now, I take pretty good care of my ears, I think. I wear earplugs when we practice and even when I vacuum (shop vacs, anyway). I’ve always maintained that it would be a cruel irony that the very thing I enjoy most could be mercilessly taken from me because that very thing also deafened me. But of course, that would be my own damned fault. Knowing this, I am especially conscious of not having the volume up too high in the headphones because I have no protection whatsoever. I did pretty well with the volume overall. However, what happens is that as the hours progress and you listen to take after take after take, your ears start to play tricks on you and you start to miss things.

I reached a point where I just couldn’t believe anything that I heard anymore. I was having bouts of, well, auditory hallucination. I had a few incidents of “my God, did I REALLY play that?” It didn’t sound at all like that as I was laying it down!” The problem was that my ears were suffering from a condition that I have coined Sonic Inebriation. That’s right. My ears were drunk. They just couldn’t take in any more information. Plus, I think I was just WAY too geeked on copious amounts of Babs’s Rollercoaster Roasters® coffee. Two straight days of that will definitely make your nerves fuzzy, and your colon...anxious. Moving on.

Another good example of the drunken ear theory is that Bob asked me to make him a CD of the basic tracks. He wants to study them during the week so he’ll be prepared for his tracking duties this weekend. So after probably 8 straight hours of recording and listening yesterday, I just did a quick mixdown of the drums and bass to hand off at rehearsal last night. As it was recording down to tape, I remember thinking that the bass seemed especially heavy.

“Oh well, too late to change it now. I’m sure it’ll probably be fine.”

On the drive down to the Treehouse for rehearsal, I popped the tape in. I could barely make out the bass, but I simply attributed it to my bass, amp head, and pedal case blocking the rear speakers. Plus, I was in my Metro, which, as a 14-year-old, 3-cylinder econobox with no sound insulation, is FREAKISHLY loud on the highway. It’s simply mad.

When I arrived, I piped the tape into the PA to give Eric and Bob a sampling. Good God. It was one of the brassiest, most bass-devoid mixes I had ever done. It was embarrassing, and I was a little worried that confidence was shaken in regard to my production abilities. It was only intended to be a reference, but even the worst references paled to this sonic turd. Anyone who knows production (on any level) knows that you simply do NOT record and mix the same day. No matter how proficient you think you are and what a keen set of ears you have, you’ll be wrong. A set of fresh, rested ears is a moral imperative for a good mixdown. What a difference 12 hours makes.

So if you’re reading this Bob, sorry about the Mental Patient Mixdown (sounds like techno for the deranged)!

Ciao for niao.

Friday, January 14, 2005

Back off, H.G Wells.


The Lego thing from a couple days ago has put me in a seriously nostalgic mood. It’s a funny little thing, nostalgia. A lot people are immersed in it for life and simply don’t want to let go of the past. They evidently reached a point in their lives where they found where the zenith of their comfort lies and they just don’t want stray from there. Ever. The problem one runs into, however, is that they fall victim to living in the past and missing out on the present. Rather than embrace the exciting world of the unknown, they clutch desperately to the world of the familiar. Again, I completely understand why. It’s warm. It’s safe. Everything was fun, and every day was an adventure. Most of all, it was pure.

Do a Google search on anything from your childhood. Anything. Pop culture, music, TV shows, etc., and you’re guaranteed to find either a little blurb on it somewhere, or an entire website dedicated to it. I’m 100% guilty of doing a search on games or toys of my childhood, finding them on Ebay, and wanting to buy them all right on the spot. The novelty of having them “back in my life” would wear off eventually, and then I’m stuck with several closets’ full of old games that I’ll probably never play again. How many times would I look at the box for “Lincoln Logs” before it no longer triggered memories of playing with it with my grandfather? Or “Mousetrap”? “Toss Across (insert Beavis laugh here)”?

It’s the same thing with the Legos. The internet is a mixed blessing. I’ve said many times during conversations over the years, “Man, I used to LOVE Legos”, and the conversations never went any further. Unbeknownst to me, there are legions of fan sites out there for them. And, total nerd that I am, I downloaded pictures of all the sets I used to have (22 of ‘em, thankyouverymuch). Ebay revealed many an old set to be had as well. My gut reaction, of course, was to be the highest bidder at any cost. Fortunately, my more practical side prevailed. Actually, the moths in my wallet make a great case all on their own.

Nostalgia creeps up on us through any of our senses. The smell of Agree shampoo (do they still make that?) reminds me of being a little kid and going to the boardwalk with my Aunt Lilu. The smell of hot tar, salt, and ozone also remind me of the boardwalk. I’d have to say that smell and hearing are the two biggest triggers for me. If I hear a song from before 1996, I can pretty much tell you exactly where I was the first time I heard it and who I was with. After ’96, I don’t know what happened. It’s as if I simply stopped absorbing anything anymore. The triggers just stopped happening. Swearing off radio around that time (more on that in later posts) helped a lot in that too, I’m sure, but I think I was struck with what most people well out of their teens get hit with: distractions. Now that you have to concentrate on things like keeping a roof over your head, staying out of trouble, finding the one you want to spend the rest of your life with, landing the dream career, your slowing metabolism, etc., some of the memory receptors become dulled. It’s sad, really. But that’s where nostalgia comes in. You get to reconnect with the things that brought you joy, even if only on a superficial or visceral level.

However, there’s a reason all those games and toys you had as a kid are gone -- you got bored with them. Having them now won't necessarily make you appreciate them more. When capitalized upon, nostalgia is in danger of becoming worn out. I now have compilations, BIG ones, of all the songs I listened to growing up. With each song I found, I got re-energized and just reveled in the flood of memories and emotions that washed over me. Problem is, I listen(ed) to them too much. So now when Planet P comes on, I’m not thinking of the first time I saw the video on MTV (still in its infancy in '82), and how it was thew coolest thing ever. No, now I think of...nothing. When I hear “Cool Night”, I’m not thinking of the frustrations of unrequited love I had for Sandra Lundquist in third grade. Nope, now I’m thinking “I wonder if Paul Davis survived the music business and what kind of pointers he’d have for me...”

Pfft. Way to nurture a memory.

I’m fortunate in that I had an incredible childhood. I have a loving family and wanted for absolutely nothing. I’m lucky to even *have* something to feel nostalgic for. For example, those four years we lived in Pennsylvania, it seemed like the sun was shining virtually every day, and the winters were something to be enjoyed rather than dreaded. But I realize now that it could have been anywhere. The security one gets when basking in a nostalgic rush can be applied to any time, even as recently as a week ago.

I’m glad that it’s impossible to ever “go back”. It will never be the same. And if you could, then what? You’d have memories of what, memories? I tried it once. I went to visit my old stomping grounds in Pennsylvania a couple years after I moved to upstate New York. Within two years, the population seemed to double, strip malls sprung up every ¼ mile, all my friends suddenly had protruding Adam’s apples, and I even got lost. I only got to visit for a day, but that 24 hours ruined the frozen images I had of my now completely different friends. Going to see my best friend Deron that day was just surreal. Whereas we never left each other’s shadow the whole time I lived there (I'm pretty sure we were telekinetic, too), there was suddenly a two-year gap that neither of us could account for. Physiologically and experience-wise we were two completely different people. I also learned that when you move from somewhere, the mover is the one who holds all the memories. Time just stops. But for the people who stay, time just keeps rolling right along. So, be careful what you wish for. Worry less about what was and concentrate on what is. Do it right and maybe you'll be able to reflect on it with equal fondness. Or, to quote a Mr. William Joel,

"The Good Ol' Days weren't always good, and tomorrow ain't as bad as it seems."


Now, I wonder if my mother still has my canvas bag o' Legos...

Ciao for niao.

Wednesday, January 12, 2005

It's Not As If I Asked to Borrow Your Chap Stick

A whiny post from your host today. I’m here to discuss something that seems to have baffled humankind for as long as…well, for as long as I can remember. I'm here to discuss the Art of the Alternate Merge. It applies to so many facets of one’s daily life, and yet, so few can actually pull it off. How has it gotten to this point?

The entire world is wracked with traffic problems, most notably severe congestion when a road drops a lane or at an intersection. Why? Because few people are willing to adhere to what I refer to as The Zipper Principle®. It’s easy and there’s no math. You just scan two cars ahead of you, let the guy on either side of you get in front of you, and with any luck, the guy two cars back will do the same. I’ve gotten to the point where I don’t even need to think about it, and I’m just one guy. That one little selfless gesture saved maybe 2 seconds. But consider how many cars there are on the road. Multiply that 2 seconds by the millions, and you’ve got, well, a pantload of seconds.

Naturally, there are those who flat-out won’t subscribe to the 'Principle®. These people are territorial, selfish jackasses with an unfounded and unworthy sense of entitlement. They’re somehow convinced that if they ignore you, then you simply aren’t there. It’s these same jackasses who believe that cutting in front of you will somehow get them to their destination faster. Nope.

Merging is in our blood. Literally. I’ve seen enough films in high school health classes to know that blood cells arriving from two different vessels have the ability to seamlessly form a line into a single vessel (insert warbly movie voice of “I Am Joe’s Heart”). I’ll bet that if you put a teeny microphone in that blood vessel, you wouldn’t hear them getting all bunched up and pissy, shouting the obligatory "Um, EXCUSE me!" Nope. They’d just go with the flow. No territoriality, no assumed ownership of the immediate space in front of them.


Was I inspired to pen this because I was squeezed out while trying to get on the train this morning? Yes. Yes I was.

Ciao for niao.

Tuesday, January 11, 2005

Speaking of Church....

Dear Readers:

Legos. I tell ya, as a kid, there was simply nothing cooler than Legos. Well, to a kid who liked to construct and deconstruct things, anyway. I would just while away the hours in my room, listening to the radio (some bubblegum station I’d deem utter crap now, I’m sure), and just build and build and build.

My addiction started off as most addictions, I imagine -— recreational block matching. Onto some more elaborate experimentation, and then all the way up to the Expert Builder sets (the hard stuff). My older brother had what I considered to be the be-all, end-all of Lego sets, #853, the Auto Chassis. This was neat because it showed the basic principles of auto mechanics, from its 4-inline engine to its transmission(!). It was big doin’s to a kid that had only known plain ol’ colored blocks and wee action figures. Other sets of that type were available, like a V-8. And what I consider so appealing about those early sets was the imagination that was involved. For example, the spark plugs were actually little faucets from some other Lego set. But you never questioned it; when the directions tell you to put a faucet at the top of the cylinder to act as a spark plug, it was no longer a faucet. You then only saw it for what it was—a chrome spark plug. I only had two Expert Builder sets when I was a kid. One was a helicopter that seemed incredibly complex at the time, and a dune buggy. Lego had started to include things like coil-over shock absorbers, and that opened up a whole new world of car building (hellooooooo, monster trucks!).

Then, in what seemed like an overnight event, I outgrew Legos. More accurately, I should say that for some reason deemed myself too old for them. Sure, I would still build stuff for my little brother, you know, to “help”. When in toy stores, I’d see the latest offerings in Legos, and it seemed that some of the ingenuity was gone. Things like faucets for spark plugs were a thing of the past. Now parts were actually molded into what they were supposed to be. There wasn’t the same amount of interchangeability between sets because these parts now had a defined purpose. A sink that was originally made from 16 bricks is now simply just a molded sink. Yawn. The Expert Builder sets are now called Technic. Engine cylinders are now molded, whereas they used to have to be square (and the pistons as well) because you built them from scratch. There were some exceptions to the pre-fab thing. Boats, because anything a kid would make out of just blocks would sink. So, you had an actual molded hull to build on, replete with counterweight to keep it upright. I had the fire and police boats. I know what you must be thinking. Could it be possible that I have nothing better to lament than the evolution of what most consider a toy? Well of course I do. I’m still a kid on so many levels, so I guess I found it a little disappointing to see some of the inegenuity taken out of it.

By the same token, however, my Lady Fair and I wound up at the Palisades Center (a silly-HUGE mall) over Thanksgiving. Lo and behold, they had an actual Lego STORE. My God. I didn’t think anything like that existed (that wasn’t in Denmark). I was in heaven. You can actually go to the back wall and take a scoop of whatever blocks you need. Missing a couple of the translucent blue 2-row pieces for your lunar vehicle? Step right this way. So, even though there are a lot more pre-fab parts, I still wanted to buy absolutely everything in there. I vowed when I was younger that when I was old enough to afford them, I’d buy every Expert Builder/Technic set ever made. I’m still saying that.

Now I turn your attention to the pictures of the Lego Church, created by Amy Hughes. This structure is beyond impressive and the story behind it is also a great read (check out the construction log). Just VERY well done all the way around. Near as I can tell, there’s nary a single pre-fab part in there, save for the "minifigs" and flowers. Nothing but blocks. Now that’s ingenuity AND imagination.

Ciao for niao.

Monday, January 10, 2005

Rocking the Big Man's House

This past Saturday the Rogues descended upon on a church (Puritan, I believe?) in Hanson to lay down tracks for our next album. Fueled by just silly amounts of Babs’s own “Rollercoaster Roasters” blend of kick-ass coffee (you could literally hear our eyelids slam open), we just dove right in after setting up the Treehouse Mobile Studio®. Eric’s drums were pretty well soaked from the ride over to the church due to torrential downpour and no cap on his truck, but they didn’t seem any worse for wear because they just sounded HUGE and crisp in the church. We had him “facing the congregation”, sandwiched right between the pulpits. We mic’d the entire kit and also had a few ambient mics going to give some size and air to the drums. As it turned out, the ambients weren’t really necessary because the sound we got naturally was pure “When the Levee Breaks”. Awwwwww yeeeeeeeeeeeeah..

After tracking a couple of the songs, we took a break to displace the ludicrous amounts of caffeine in our blood with some actual nutrients. Eric and I did a little exploring and he quickly found himself manning the church’s pipe organ. Man, I had no idea those organs were so complicated. In no way qualified to drive such a thing, all I could do was sit at it and marvel at the vast amounts of knobs, switches, and pedals. I’m impressed by anyone who can play piano with a modicum of aptitude. But to anyone who can pilot a church organ effectively, I bow to you.

I felt like a little kid in this place. It’s a HUGE church, and I still maintain that there are few things creepier than a church basement. It’s about 250 years old, but has been very well maintained. I haven’t frequented many churches in my life, but this one was rather handsome compared to the ones I *have* been in. And as I mentioned to Eric, you know you’re in a church when all you can smell is old wood and coffee.

As far as the recording, all we tracked was Eric’s drums after quaffing more of Babs's rocket fuel. In the past we just all played live to tape, and although it can be great for vibe, it gets problematic if someone makes a mistake because then the then you have to start over completely. So over the next couple weeks, we’ll be tracking the other stuff. The songs we've chosen (in no particular order) are:

Chelsea Woman
Cherry Red
Le Petit Mort
Jugular
Live the Life
Goin' Out West
Hottentot
4-Day Creep...so watch this space.

Ciao for niao.

Wednesday, January 05, 2005

Cats, Cows, Church.

Happy New Year one and all, and welcome to my web log. I don't mind going through the pains of typing that cumbersome first syllable. We as a people have become entirely too reliant on abbreviation, and "blog" should actually have an apostrophe in front of it. I could dedicate an entire site to that annoyance alone, but not today. Moving on.

So. The tsunami. This business where aid-giving is becoming a competition is, well, unfortunate but not at all surprising. But rather than get into that mire of lunacy, I'd like to turn your attention the picture I have posted to the left. As the caption explains, that cat is a survivor of the tsunami, and it suggests that animals have a certain "sense" of nature that we humans don't. Whereas we have to construct instruments and all types of complicated devices to gather even an angstrom of of an idea what type of weather or seismic event is ahead of us, animals just simply say (in animal-speak, I imagine) , "Umm, DUH."

It's an interesting commentary on the human race. We're convinced we're ready for whatever will be thrown at us at any given moment. Nope, the animals have us beat there. For example, take hurricanes. Inevitably, in spite of a billion warnings by meteorologists, throngs of people will flock to the water's edge for the event known as "Hoooowee, Lookit The Size O' Them Waves! Hope We Don't Die Or Nothin'! Honey, Take Mah Pitcher! Honey?" The event title's a mouthful, but you can see it on the ESPN for the easily amused, The Weather Channel.

Sure, we're more intelligent. But in what sense? Because we know who'll get voted off the island next or get fired(!) by a super-rich horse's ass? You'll never get the winning lottery numbers or the answer to 43 down from your cat, dog, potbellied pig, chinchilla, etc. But see the cows lying down in the field? They're telling you to roll up your windows.


In other news, the Rogues will be recording at an undisclosed church this Saturday. That's right, we're going to conjure up the devil with the conduit we call rock and roll right in the middle of the House of God. Not really. At best, we'll probably conjure up a very cranky Boxcar Willy.

I'm VERY excited for three reasons:

1. I'm getting to record a band which is comprised of myself and two of my closest friends

2. I finally get to use the gear I've been hoarding over the years for an actual studio application other than my solo stuff

3. C'mon, we got a green light to do this in a CHURCH.

Ciao for niao.